Queer Readings of the QUT Art Collection: Reinterpretations of Contemporary Art
By Jasmin Asifiwe A new exhibition by the QUT Art Museum invites…
The Man Who Sold the World: A Review of Bonfire of the Murdochs by Gabriel Sherman
By Kit Moke Depending on who you ask, the legacy of Rupert…
QUT Art Museum Reopens With Jemima Wyman’s Deep Surface
By Calista Crawford Jemima Wyman’s Deep Surface is currently showing at QUT…
Absolutely Bat-Sh!t: Absolute Batman Review
By Harry Deefholts Growing up, I relied on animated superhero shows and the cultural impact of the now flawed Marvel Cinematic Universe to feed my childhood niches and introduce me to new…
Frocket To Fruition: A Review of Frocket Issue Ten
by Jasmin Asifiwe “My mum said I shouldn’t praise false idols, but I’m pretty…
‘Clever and relatable’ : Audrey Hobert’s Debut Album ‘Who’s the Clown?’ review
By Emily Robbins Listen to her new album here. Audrey Hobert is…
Scorched Earth – Jacaranda Journal’s 12.1 Edition Launch
By Riley Bampton The University of Queensland’s literary and creative journal, Jacaranda,…
‘Simple yet Swooning’ – Film Review of Desert Hearts
By Spidey Vi Minor spoilers ahead. Directed by a woman on a…
‘The Limit Doesn’t Exsist’ – A Film Review of Mean Girls (2024)
By Spidey Vi I still think about Reneé Rapp’s intense stares. If…
Body Worlds: The Anatomy of Happiness
By Josephine Renee Event Review Trigger warnings: displayed dead human bodies of…
