KATSEYE – WILD: Can Manufactured Pop Ever Be Wild?
By Riley Caswell There is something inherently interesting about KATSEYE calling their…
‘Clever and relatable’ : Audrey Hobert’s Debut Album ‘Who’s the Clown?’ review
By Emily Robbins Listen to her new album here. Audrey Hobert is…
An “Epic” Retelling of The Odyssey: Epic the Musical Review
By Onyx Rei If you’re a fan of Greek mythology or a…
The Queerest Sounds of Our Streets
By Charlotte Poynton The best music in the world is coming out…
To all the greatest love songs – I hate you
By Sophie Humbert The gravelly hum of Marc Bolan’s voice slices through…
‘Very demure, very cutesy’; ‘Short n’ Sweet’ album review
by Tori Brown I’ll try and keep this Short n’ Sweet, but…
A review of ‘brat’ but it’s just a breakdown of every cool girl mentioned so its not
brat, Charli’s sixth studio album, is a vulnerable, effortless, “cool girl”, work of art, jam packed with odes to insecurities and late-night, drug-fueled dance tracks, and all in less than 50 minutes.
Now and… Then what? The Beatles’ bittersweet final chapter
*This article was originally published in our Summer 2024 print edition* By…
The girls are *going* to be alright: Dublin Rose talks music industry bias
In the dim light of the Vermilion recording studio, QUT’s very own, student-run record label, singer Dublin Rose sits with neatly crossed legs and glasses framing her face. Absentmindedly playing with the ends of her chin-length hair, the 20-year-old says, “It’s true that people assume less of you when you’re a girl in music.”
Not For Public Consumption: The Tortured Poets Department
Sincerely, I don’t think The Tortured Poets Department: The Anthology was made for public consumption. It’s not for us. It’s for her.