‘Clever and relatable’ : Audrey Hobert’s Debut Album ‘Who’s the Clown?’ review
By Emily Robbins Listen to her new album here. Audrey Hobert is…
An “Epic” Retelling of The Odyssey: Epic the Musical Review
By Onyx Rei If you’re a fan of Greek mythology or a…
The Queerest Sounds of Our Streets
By Charlotte Poynton The best music in the world is coming out…
To all the greatest love songs – I hate you
By Sophie Humbert The gravelly hum of Marc Bolan’s voice slices through…
‘Very demure, very cutesy’; ‘Short n’ Sweet’ album review
by Tori Brown I’ll try and keep this Short n’ Sweet, but…
A review of ‘brat’ but it’s just a breakdown of every cool girl mentioned so its not
brat, Charli’s sixth studio album, is a vulnerable, effortless, “cool girl”, work of art, jam packed with odes to insecurities and late-night, drug-fueled dance tracks, and all in less than 50 minutes.
Now and… Then what? The Beatles’ bittersweet final chapter
*This article was originally published in our Summer 2024 print edition* By…
The girls are *going* to be alright: Dublin Rose talks music industry bias
In the dim light of the Vermilion recording studio, QUT’s very own, student-run record label, singer Dublin Rose sits with neatly crossed legs and glasses framing her face. Absentmindedly playing with the ends of her chin-length hair, the 20-year-old says, “It’s true that people assume less of you when you’re a girl in music.”
Not For Public Consumption: The Tortured Poets Department
Sincerely, I don’t think The Tortured Poets Department: The Anthology was made for public consumption. It’s not for us. It’s for her.
Americana, Southern Gothic & backwards country towns: A track-by-track album review of Preacher’s Daughter by Ethel Cain
In an age where our lives are increasingly spent caged in office cubicles in front of screens, it’s easy to become nostalgic about a slower-paced life. Ethel Cain’s Preachers Daughter evokes Americana, Southern Gothic, and backwards country towns.
