“It’s a skin-crawling, stomach-churning spectacle”: A Review of ‘The Substance’
Warning: Spoilers ahead. I’ve lost the ability to form coherent sentences. The…
Reviews
“You aren’t harangued by balloon breasts”: A Review of ‘Tomb Raider: The Legend of Lara Croft’
The Tomb Raider returns. Netflix has brought Lara Croft back to world of anime and fixed many-a-mistake.
‘It’s finally here!’: Review of ’Running With Pirates’ by Kári Gíslason
In my first year as a creative writing student, Kári Gíslason was…
Maude Horton’s Glorious Revenge by Lizzie Pook: A Review
By Mia Paton I’ve always loved a good historical fiction, and Lizzie…
Glass’ October Movie Regime
In honour of the spooky season, I have decided to watch as…
Haunted by our legacy: Review of Tim Winton’s chilling new climate epic ‘Juice’
By David Uptin *Spoilers ahead!* I’ve only finished a Tim Winton book…
“In the empty space in both women’s lives, new love can bloom”: A Review of ‘A Language of Limbs’
*This review contains spoilers! What is the most important meeting of your…
Inventive film students turned promising producers: Inside ‘100% Pure Rage’
Sporting a small budget and an even smaller production crew, three Griffith…
To all the greatest love songs – I hate you
By Sophie Humbert The gravelly hum of Marc Bolan’s voice slices through…
Submissions open for Glass Annual 2024!
Can you believe it? Submissions for our print magazine are open once…
