Cutting through the noise: Rory Hawkins looks at comedy, commentary, and contrition
by Rory Hawkins Because I almost completely lack the patience to practice…
Gathering Storms by Kerry McGinnis | Review by Emma Burton
By Emma Burton Many of us are familiar with the storms and…
The Chaotic Clash of Characters and War: Melanie Myers’ Meet Me At Lennon’s Review by Matilda Lees
By Matilda Lees Content Warning: This article discusses domestic violence, sexual…
Book Review: The Things We See in the Light
By Phoebe Cuskelly The Things We See in the Light is a…
The 2022 West End Film Festival
As the West End Film Festival kicks off this Thursday, audiences will…
Book Review: The Boy in the Striped Pyjamas, Take 2
By Jack Bell As the wounded, post-war Europe of All the Broken…
Book Review: Hip Hop & Hymns
By Konstanz Müller ‘Hip hop and hymns: the two would always go…
Art in Review: Botanica 2022
Crowds were heaving on the final Friday night of Botanica. Of course,…
Film Review: Drive My Car
By Rory Hawkins It is Valentine’s Day, and I am alone. My…
A Mosaic of Obviousness: Henry Hamlet’s Heart by Rhiannon Wilde
Review by Ashton Darracott Set in one (pick any) of Brisbane’s suburbs,…
